The submission period for the Greenmotions Filmfestival 2026 has officially begun. Participation is open to all. The festival welcomes films produced using any technique, including animation, documentary, drama, experimental or artistic films, and hybrid work, regardless of budget size.
We are looking for films for our four different categories:
– Short film – Kids & young audience short film – Feature film – Special Topic 2026 “RECOGNITION: Shining a Light on the Invisible”
The first three categories focus on the general environmental and sustainability themes.
With this year’s Special Topic, “Recognition: Shining a Light on the Invisible”, the Greenmotions Filmfestival focuses on people and realities that often remain unseen – even though they sustain our societies and our shared wellbeing.
From unpaid care workers to marginalized communities, we highlight stories of struggle, resilience, and dignity. We explore who is recognized, who is overlooked, and why – and how systems of power and inequality contribute to invisibility. By giving space to unheard voices, we aim to foster empathy, critical reflection, and solidarity – and to inspire action toward a more just, inclusive, and sustainable world. A more detailed description of our special topic can be found here.
You can submit your movie via Filmfreeway. The submission period is open until April 16. 2026. You can check out our terms and conditionshere. We are looking forward of all the exciting and wonderful submissions for this year’s festival.
(Still from “L’Arbre de l’Authenticité”, Winner of the special topic prize in 2025 by Sammy Baloji)
We are thrilled to share the special topic for this year’s festival. As usual, there will be a specific prize category for movies as well as a workshop on the topic at this year’s festival.
The Greenmotions Filmfestival presents films that open new perspectives, inspire change, and make visible pathways toward a sustainable future. With this year’s Special Topic, “Recognition: Shining a Light on the Invisible”, we focus on people and realities that often remain unseen – even though they decisively shape our social coexistence and collective wellbeing. At the heart of this focus lies the question of recognition: Who is seen, heard and valued in our societies – and who is not?
One central group we address are those whose work is insufficiently recognized: people engaged in care and support work, much of it unpaid or poorly paid. This includes raising children, caring for elderly relatives, supporting people with disabilities as well as working in hospitals, nursing homes and social services. Care work is physically demanding and emotionally intensive. It sustains families, communities, and entire societies – yet it is too often taken for granted.
In Germany alone, adults perform more than 117 billion hours of unpaid care work every year, with women contributing around 72 billion of those hours. This exceeds the total number of paid working hours nationwide. Nevertheless, it is frequently dismissed as “non-productive”. Because care work is so physically and emotionally exhausting and highly time-consuming, many caregivers lack the time, energy, and resources to participate in political and social life. As a result, they are often unable to organize and advocate for better working conditions and recognition.
These inequalities are further intensified through intersecting forms of discrimination. Women continue to carry the main burden of care work, reflecting deeply rooted gender norms and unequal power relations. Migrant women, in particular, are disproportionately represented in precarious and informal care jobs. At the same time, care systems are increasingly shaped by economic efficiency and profit-oriented models. Institutions are expected to function like businesses, prioritizing cost reduction over human needs – and the growing pressure is borne by those who provide care, often at the expense of their health, dignity, and financial security.
Beyond care workers, this Special Topic also embraces other groups whose contributions to society tend to get overlooked. Groups like indigenous people, migrants, refugees, stateless people, sex workers, undocumented workers, people affected by addiction, homeless people and queer communities are historically pushed to be outsiders in society. Their value to society, culture and knowledge often gets ignored – in some cases wilfully remains unrecognised. Since their specific circumstances remain unaccounted for by many policies and jurisdictions, these groups rely heavily on support structures operating separately from state institutions and are cut off from many state-regulated social services. To the unaffected, the challenges faced by members of these groups as well as their role in societal structures largely remains invisible.
With this Special topic, we want to tell the stories of people, whose actions and needs are not recognised by parts of society. We seek stories that reveal the struggles, resilience and dignity of the systematically marginalised. In a time of political division and rising extremism, we furthermore strive to give a face and a voice to those who increasingly face dehumanisation and are wrongly deemed worthless by political movements around the world.
At the same time, we reflect on the structural dimensions of invisibility. Who benefits from systems that rely on unrecognized labour and marginalized lives? How do capitalism, political interests, and deeply rooted social norms contribute to exploitation and exclusion? And how do formal and informal networks of mutual support create spaces of resistance, care, and solidarity?
Recognition is not only about visibility – it is about respect, rights and responsibility. By “Shining a Light on the Invisible”, we aim to illustrate that a society is built around people and that it should take all its members into account. We hope to foster empathy, critical reflection, and collective action – and to strengthen movements toward a more just, inclusive, and sustainable future.
As in (almost) every year since 2014, the Greenmotions Filmfestival once again opened its doors to cinema and sustainability enthusiasts at Kommunales Kino at Alter Wiehrebahnhof from November 5th to 9th, 2025. This year, we have once again chosen a special topic to which we devoted particular attention in part of our program: “Closing the loop: living within Planetary Boundaries” addresses the question of how wasteful, linear lifestyles and economic practices can be overcome and replaced by circular lifestyles that enable a good life for everyone on a planet with finite resources.
With over 900 visitors over five days, numerous sold-out events, and a diverse film program, the festival was a resounding success. Thank you all for coming out in such large numbers, and thank you to all our sponsors and partners who made the festival possible. In this blog post, we would like to look back with you on the highlights of the last few days:
(Still from “wer wenn nicht du” winner of the audience award by Rosa-Lena Lange and Charlotte Weinreich)
Wednesday, November 5
Right from the first day, there was a lot going on at Kommunales Kino: over 70 people came to watch the film “wer wenn nicht du” (who if not you) by Charlotte Weinreich and Rosa-Lena Lange, as well as the short film “DARIO – How to (not) change the world” by Christian Belz, which deals with the question of what kind of activism is legitimate and promising in times of the escalating climate crisis. The film was followed by an exciting discussion with Charlotte and Christian, as well as Jannis Niethammer and Karl Braig, the two protagonists from “wer wenn nicht du.” This film was so well received by the audience that it was immediately voted the winner of the audience award at the end of the festival. Congratulations!
Thursday, November 6
The second day of the festival began with Dominic Allen’s film “Planet Wind: The global story of Offshore Wind”. Despite the early hour, nearly 50 guests were in the cinema auditorium, following the film on its journey to offshore wind farms around the globe. After the film, there was an exciting Q&A session with Nelly Kirsch from the City of Freiburg’s Environmental Protection Agency on the expansion of renewable energies in general and wind energy in particular in Freiburg and the surrounding area.
In the evening, the official opening ceremony of the festival took place as part of Rubén Abruña’s “Holy Shit”. Camillo and Carlotta from the organizing team guided the nearly 70 guests through the evening in the packed cinema. After the film, which was also the first item on the program for this year’s special topic, Rubén, Undine Löhfelm, publisher of the book accompanying the film, and Andreas Doerne from the Holistic Compost Lab in Sankt Peter were guests and shared exciting thoughts about how we deal with human waste and how we could use it as a resource.
Friday, November 7
With almost 170 guests, the festival really got going on the third day. The day opened with the film “Lost for Words”, a meditative collage by Hannah Papacek-Harper about our connection to nature and what the loss of wilderness means for us humans.
This was followed by another film from our special topic category: “l’Arbre de l’Authenticité” by Sammy Baloji, a poetic cinematic essay that gives a voice to the trees in the Congolese rainforest and thus takes a critical look at Belgium’s colonial past and the ecological significance of the DR Congo today. Our special topic jury had already decided in the run-up to the festival to award this year’s EWS-sponsored prize to l’Arbre de l’Authenticité. Congratulations!
The evening concluded with the film “The Battle for Laikipia” by Daphne Matziaraki and Peter Murimi. The questions raised in the film (How does colonial heritage still determine land ownership in parts of Africa today? What potential for conflict does this hold, and how is it further exacerbated by the climate crisis?) were explored in greater depth after the film in a Q&A session with Edwin Mutyenyoka from the Arnold-Bergstraesser-Institute.
Saturday, November 8
The fourth day of the festival began much earlier than the previous ones, as it was the weekend, with an interactive program item: In a three-hour workshop, Andreas Doerne from Holistic Compost Lab, who had already enriched the panel discussion on Thursday with his expertise, introduced the 15 participants to the fine art of composting.
At the same time, the first round of our yearly kids’ program took place in the cinema: Anne and Laura from the organising team guided over 30 children aged five and above and their accompanying adults through a colorful program of short films on the topics of environmental protection and sustainability.
On Saturday afternoon, two more films on the special topic were on the program: “People at the Heart of Change” by Karen Logan and “Ben & bEartha: A Community’s Compost Love Story” by Jordan Osmond show inspiring grassroots composting projects from South Africa and New Zealand, respectively. After the film, Veit Cornelis from the Freiburger Abfallwirtschaft ASF answered visitors’ questions about the waste system in Freiburg and the measures being taken to establish stronger material cycles in this area.
The journey around the globe continued cheerfully in the afternoon: Curmiah Lisette’s film “Roots of Resilience: Stories of Caribbean Women in Agriculture” presents an organization on the Caribbean island of St. Lucia that is committed to empowering women in local agriculture. “Birdsong” by Kathleen Harris follows an Irish ornithologist as he attempts to record the voices of all bird species in Ireland. “Li Cham” by Ana Ts’uyeb movingly depicts the emancipation of three Tsotsil women who regain their belief in a life of freedom and independence through the philosophy of Zapatismo.
The grand finale on Saturday evening was the film “The Wolves Always Come at Night” by Gabrielle Brady about a nomadic family in Mongolia who are forced to give up their traditional pastoral lifestyle due to climate change and make a new start in the big city. After the film, the more than 80 visitors were able to ask questions to the film’s editor, Katharina Fiedler, who joined us through a video call.
Sunday, November 9
In keeping with the tradition of recent years, the last day of the festival began with a buffet made from rescued food. In keeping with the theme, this was followed by a screening of the film “Demain, la Vallée” by Jérôme Prudent on sustainable agriculture. The film was accompanied by a panel discussion with participants from Agronauten, Piluweri (who also provided catering for the team during the festival), Regionalwert AG, and Gartencoop Freiburg.
On Sunday afternoon, Pierre-François Didek’s film “Documerica, Self-Portrait of a Nation on the Brink” painted a moving but also disturbing picture of the long history of environmental destruction in the USA. The shocking extent of human environmental destruction was also evident in the film “Bottlemen” by Nemanja Vojinović, which documents the lives of bottle collectors at Europe’s largest landfill site in Serbia.
The kids’ program also ran for the second time on Sunday afternoon. The majority of young visitors to the two sessions on Saturday and Sunday voted Eva Matejovičova’s film “Writing Home,” about the life of a bark beetle girl, as the winner of the Sparkasse Freiburg – Nördlicher Breisgau Kids’ Award. Congratulations!
The last feature film of the 2025 festival was once again related to our special topic: Martin H. Oetting’s film “Purpose” follows two economists in their fight for a fundamentally new economic system beyond the pressure to grow and the throwaway mentality. The film was followed by a panel discussion with the director (online), Niklas Mischowski from the ICLEI city alliance, and Benedikt Schmid from the University of Freiburg.
As every year, the legendary short film competition and subsequent award ceremony on Sunday evening provided the grand finale to the festival. From the seven short films shown, our short film jury selected Frédéric Doazan’s film “Picus” as the winner and presented it with the prize sponsored by the Alfred Toepfer Foundation. Congratulations!
To bring the festival to a close together, the Greenmotions organizing team invited everyone to an afterparty in the gallery of Kommunales Kino after the award ceremony, with music from the Freiburg band Cosmic Mints and sparkling wine and wine sponsored by Weingut Andreas Dilger.
With the introduction of our solidary pricing system comes another surprise: The Greenmotions Festival Pass. With your Festival Pass, you can watch as many movies as you want during the festival. To get a your pass, just choose the option “Festival Pass regular” at checkout when purchasing a ticket. The pass costs 20.00€ and can be bought online or at the cinema’s box office. At the first screening you visit, you will get your physical pass, that you can then bring to the other screenings. For all further screenings, you can show up spontaneously or reserve a seat beforehand via telephone, at the cinema counter.
And don’t worry, if you have already bought tickets, you can still get a festival pass. In that case, we will subtract the price of the tickets you’ve already bought from the festival pass cost. We are excited to finally see you at the KoKi next week – some of you, hopefully, more than once.
Saturday morning of our festival is dedicated to the topic of composting. As part of our special topic “Closing the Loop: Living within Planetary Boundaries” we will look at ways how food waste and other nutrients can help to nourish and be reintroduced into soil. In a circa three hour long workshop, Andreas Doerne of the Holistic Compost Lab in St. Peter as part of the festival will give fascinating insights into the composting they do at their site, how it works and what you yourself can do. You can also find out more about the Holistic Compost Lab on their website.
To reserve a place for the workshop, please send us an email at reservation@greenmotions-filmfestival.de.
The workshop takes place in the gallery of the Kommunales Kino Freiburg. Those of you who want to learn more about composting and hear inspiring stories about communities that compost on a larger scale can stick around for the screening of People at the Heart of Change and Ben bEartha right after the workshop.
On the final evening of our festival, we show a colourful variety of short documentaries and animated films from our annual short films competition. Like our festival, they are focused on topics of sustainability, environmentalism and social justice.
After the about one-hour-long programme we start this year’s awards ceremony, where the awards in the special topic category and for the best short film will be given out by our juries of experts. We will also give out the prizes for the best short film in the kids category and the audience award for the best feature length film.
To close out the festival there will also be a small party with snacks, wine from the Weingut Andreas Dilger and music by the cosmic mints in the gallery of the KoKi.
The global multi-crisis is accelerating and affects all levels of society: democracy, climate, biodiversity, migration, justice, equality, institutions, farming. And yet, there is no mainstream debate about the issue at the core of many – if not all – of these problems: our economies. How they function, what they deliver and how they are designed is not really part of public discourse. Purpose shows how economists Katherine Trebeck and Lorenzo Fioramonti fight to bring society off of its destructive course. Following the film, there will be a discussion with director Martin H. Oetting, a representative from ICLEI and Benedikt Schmid of the chair of geography of the university of Freiburg.
Li Cham (I Died) is the rebirth of three Tsotsil women. After losing the lives of their babies and family members to patriarchal violence, parts of them die. With the arrival of Zapatismo, their dreams blossom again and they defend the most precious thing they have: their land and a life of independence and hope. The film tells the inspiring story of the women, who had to endure many hardships on their path to independence.
On the outskirts of Serbia’s capital, Belgrade, lies one of the biggest landfills in Europe – Vinča. Once an archeological site of the European neolithic, this toxic place, unsettled by fires, is a workplace for a community of plastic bottle collectors – Bottlemen. In this documentary-western, we follow the last days of this community before their jobs become obsolete, as we focus on the struggle of a good-hearted boxer, Yanika, to be a group leader in a chaotic system.
This double feature showcases the beauty of the natural world and reminds us, how close we are to losing it. The French film Au 8ème Jour delicately illustrates how humans disrupt the balance of Earth’s tightly interwoven ecosystems. This artfully animated film serves as a grim metaphor of humanity’s role on the planet.
Birdsong presents the ambitious project of ornithologist Seán Ronayne who attempts to make sound recordings of every bird species that still breeds in Ireland. Throughout his journey he travels to some of the country’s most beautiful and remote locations to find its most elusive species and soundscapes. Seán’s search for species is complicated by the fact, that a lot of Irish bird populations are on the verge of extinction. With its intimate animal scenes and its charismatic, authentic protagonist, the film inevitably arouses a fascination of the living world surrounding us.
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